It occurs to me that the idea of “The Gaze” is a tricky one, when contemplating artworks and those who view them, because there is at once the Human Gaze, which we as persons experience as a collective, then the Gendered Gaze, where individuals encounter artwork as men, women, non-binary or agender, then the Aged Gaze, which considers the completely arbitrary measuring device of years alive on earth, not to mention the Race Gaze, the Colonized Gaze, and the Marginalized Gaze, all of which happen parallel to the Reflected Gaze, where the (inanimate and unconscious (?)) artwork itself regards the viewer.